K-Musical Culture
20 Musical Tours in Korea
Korea
Korean original and licensed musicals often embark on tours to other cities after completing their main runs in Seoul. The most common stops are major hubs such as Busan and Daegu, but if a production’s staging is not overly complex or costly, tours may extend to additional cities, broadening access for regional audiences.
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A distinctive feature of Korean tours is that they usually retain the same cast from the original Seoul run. This consistency allows fans outside the capital to see the exact performers they admired in promotional materials or online coverage. By contrast, U.S. touring productions are generally mounted as separate companies with new casts. In both countries, however, staging and set designs are adapted to the technical capacities of each venue, while preserving the overall artistic identity of the show.
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Tours in Korea also reflect the country’s compact geography and extensive transportation network. Fans often travel between Seoul and regional cities, creating a strong nationwide circulation of productions and reinforcing the sense that musicals are a shared cultural event across the country.
Disclaimer: These images are captured from NOL/Interpark ticketing pages and provided here for archival and informational purposes only. They are not official tour posters, and no profit or commercial intent is associated with their use. All rights remain with the original producers and ticketing platforms.

The Phantom of the Opera Korea Tour 2023–24 — booking captures from NOL/Interpark. All rights remain with The Really Useful Group Ltd., S&Co, and the ticketing providers.

Les Misérables Korea Tour 2023–24 — booking captures from NOL/Interpark. All rights remain with Cameron Mackintosh, Les Misérables Korea Inc., and the ticketing providers.

Memphis Korea Tour 2025 — booking captures from NOL/Interpark. All rights remain with Show Note and the original ticketing providers.
Broadway
In the United States, Broadway musicals often continue their life through national and international tours once the original New York production is established. These tours are mounted as separate companies, with their own casts, creative teams, and touring infrastructures, rather than traveling with the original Broadway ensemble.
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Touring productions are usually presented under the same title and overall staging style, but sets are frequently scaled down for efficiency, and orchestrations may be reduced to fit the resources of touring venues. Despite these adjustments, productions aim to preserve the look and feel of the Broadway original.
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Major tours can run for several years, visiting large U.S. cities such as Chicago, Los Angeles, and San Francisco, and occasionally extending overseas. For audiences outside New York, touring productions are the primary way to experience Broadway musicals. However, they should be understood as separate productions inspired by Broadway originals, rather than direct extensions of the New York company.
Disclaimer:This image and schedule are provided for informational and archival purposes under fair use. They are linked to the official source, and no profit or commercial intent is associated with their use. All rights remain with the original production company.
Les Misérables North American Tour 2025–26 — official schedule. All rights remain with Cameron Mackintosh and the producers of Les Misérables.
Back to the Future North American Tour 2025–26— official schedule. All rights remain with the producers of Back to the Future: The Musical.
The Phantom of the Opera North American Tour 2025–26 — official schedule. All rights remain with The Really Useful Group Ltd. and Cameron Mackintosh.