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나르치스와 골드문트

2025

ナルチスとゴルトムント~知と愛

Narcissus and Goldmund (나르치스와 골드문트) is a Korean original chamber musical based on Hermann Hesse’s novel, following two men whose lives diverge between contemplative faith and instinctive freedom. Its German-language showcase in Berlin, licensed staging in Shanghai, and participation in the 2025 K-Musical Roadshow in Tokyo marked its early international expansion.

나르치스와 골드문트

English:

Narcissus and Goldmund

Korean:

나르치스와 골드문트

Country: Japan | Language Korean

🔗 All images are linked to their original sources or articles. No copyright ownership is claimed.

ORIGIN

The musical premiered in Seoul in 2022, created by writer-director Youn Sangwon and composer–music director Yoo Hannah for SUMNAVI. Adapting Hesse’s 1930 novel into a two-hander, the production framed Narcissus as Apollonian and Goldmund as Dionysian, turning philosophical dualities into theatrical imagery. Strong audience response positioned the work as a notable literary adaptation in the Korean small-theatre scene.

STORY

At Mariabronn Abbey, Goldmund is left in the monastery by his father, where the young monk Narcissus immediately recognizes the conflict within him. As Goldmund wrestles with monastic life, Narcissus urges him to discover his own path. Their lives then diverge—one toward contemplation, the other toward wandering, art, and sensual experience—yet their bond continues to shape their choices. The musical follows their recurring encounters at the crossroads of life and death, mind and instinct.

POSTER COLLECTION

Poster images are shown for documentation only. All rights belong to the original creators and producers.

KOREAN RUNS

2022 – Premiere, SUMNAVI (Dream Art Center 3)
A two-hander staging with a small band that drew early attention for its literary depth and symbolic minimalism.

2023 – Second run, SUMNAVI (TOM 1 Theater)
2025–2026 – Third run, SUMNAVI (YES24 Art One Theater 2)

GLOBAL STAGINGS & ADAPTATIONS

China, 2023–2024
Licensed adaptation – Chinese-language production
A Chinese-language licensed staging was mounted first in a preview at the Shanghai Lyceum Theatre in September 2023, followed by a full run at the Shanghai Grand Theatre’s Buick Theatre from March 21–24, 2024. Marketed as an adaptation created with a local artistic team, the production brought the Korean work into a major commercial venue. Shanghai audiences praised the show’s narrative clarity, visual symbolism, and the cultural resonance of its Hesse-based themes.

Germany, 2024
Showcase – German-language reading performance
The musical was presented as a German-language reading at Ballhaus Prinzenallee in Berlin as part of “Spotlight Korea 2024.” Featuring piano and violin accompaniment, the showcase introduced Hesse’s story reimagined through a Korean musical to a German-speaking audience. All seats were reserved, and local viewers responded warmly to the work’s philosophical tone and minimalist staging.

Japan, 2025
Showcase – K-Musical Roadshow in Tokyo
A 20-minute Korean-language digest was presented at Hulic Hall Tokyo on November 12, 2025 during the K-Musical Roadshow. Scenes were shown with Japanese commentary, allowing presenters and producers to assess the musical’s thematic appeal and staging structure. The showcase served as the work’s introduction to the Japanese industry and helped position it for potential licensed development in the region.

REFERENCES

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