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2023
ドラララ歯科
Dralala Dental Clinic (드라랄라 치과) is a Korean original children’s musical adapted from a best-selling picture book, designed as an educational family production and introduced internationally through a curated Japanese showcase of Korean musicals.
ORIGIN
Dralala Dental Clinic premiered in 2022 as a Korean original children’s musical based on the best-selling picture book by author Yoon Damyo. The musical was produced by YooYooSangSaeng and developed to address children’s fear of dental visits through fantasy, music, and participation. Set in a dental clinic that opens at midnight, the work combines oral health education with theatrical storytelling and was positioned from the outset as both an educational and export-ready family title.
STORY
The story takes place in a mysterious dental clinic that opens only at midnight. Dralala, a kind and gentle dentist who happens to resemble a Dracula, treats children who are afraid of the dentist. Through songs, dance, and interactive moments, the musical teaches proper brushing habits and dental care while also comforting children emotionally. The tone is playful, warm, and reassuring, blending fantasy with practical health education.
POSTER COLLECTION
Poster images are shown for documentation only. All rights belong to the original creators and producers.
KOREAN RUNS
2022 – Premiere, produced by YooYooSangSaeng, Jongro Children’s Theater
The initial run was staged from July 23 to August 28, 2022, and was noted for high audience participation and positive reception among family audiences.
2023 – Revival run, Following strong demand, the production returned in an expanded venue, reflecting its commercial viability and educational appeal.
GLOBAL STAGINGS & ADAPTATIONS
Japan, 2023
Cultural exchange showcase – Korean-language digest presentation
Dralala Dental Clinic was introduced to Japanese audiences on December 14, 2023, as part of the K-Musical Roadshow in Tokyo held at I’M A SHOW in Yurakucho. The presentation featured a condensed digest performance by the Korean cast and creative team, highlighting the musical’s educational concept and family-friendly appeal. The showcase marked the work’s first formal exposure in Japan and positioned it within a broader initiative to promote original Korean musicals abroad. Audience engagement and participation were emphasized as key strengths during the presentation.
REFERENCES
Code-C – Korean premiere overview
https://www.code-c.kr/post/mice/4084
NewsBrite – Revival production report
https://www.newsbrite.net/news/articleView.html?idxno=169381
I’M A SHOW – K-Musical Roadshow in Tokyo schedule
https://imashow.jp/schedule/718/
NicoNico News – K-Musical Roadshow in Tokyo coverage
https://spice.eplus.jp/articles/324715
News Daily – K-Musical Roadshow in Tokyo featuring showcases of five musicals
https://www.newdaily.co.kr/site/data/html/2023/12/13/2023121300037.html
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