Representative Korean Production Poster
Eternity
이터니티
Official English Title
SOURCE
original
SETTING
Foreign
BOOK
original
Two glam rockers across time, one song
Korean Premiere:
2024
Korean Premiere Theatre
Yes24 Art One 1, Seoul
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References
Summary
A forgotten 1950s glam-rock star and a lonely young singer seventy years later are bound across time by a single song, "Eternity."
Origin & Development
A Korean original glam-rock musical produced by R&D Works, with book and lyrics by Kim Ga-ram, music and arrangements by Park Jeong-a, direction by Oh Roo-pina, and choreography by Chae Hyun-won. It premiered at Yes24 Art One 1 in Seoul on September 19–December 8, 2024, with a six-piece live band. Its main numbers were released as digital singles in four parts and entered Korean music charts, and four sold-out concerts followed the premiere run.
In 2026 it received its first production abroad in a Japanese non-replica staging by the Musical ETERNITY Production Committee, with a new performing script and direction by Masahiko Kawahara and Japanese lyrics by Yukinojo Mori, touring Tokyo, Nagoya, and Osaka from July 10 to August 9, 2026.
Full Synopsis
Eternity unfolds across two timelines linked by music and memory. In 1951, the glam-rock star Blue Dot, at the height of his fame, appears on Lightyear Talk Show and sings "Old Nightmare," a song he wrote at seven, as the host introduces a new singer, JJ. When a rocket project is announced to select five works of human music over five years and launch them into space for aliens, Blue Dot sets out to create music worthy of it. Album after album goes unchosen, and his popularity fades. On his next talk-show appearance he is cut off mid-sentence while JJ takes the spotlight. Dismissing his manager, he writes "Eternity," a song about wanting to be remembered forever, and performs it on the stage program Magnetic Highway, but the audience is unmoved and JJ's "Dancing Tonight" is selected instead. Pressed to abandon his glam-rock image, Blue Dot realizes that as long as someone remembers his music, he will not truly disappear.
Seventy-two years later, Kuiper, a lonely young man devoted to the forgotten Blue Dot, composes songs on a stylophone and looks for a place to perform. At a glam-rock bar about to become a taco restaurant, the owner lets him sing one last song on the empty stage and gives him an invitation to Magnetic Highway. Kuiper chooses to sing "Eternity," and like Blue Dot, he at first fails to draw attention, until a television producer offers him a broadcast slot on the condition that he drop the glam-rock look and rely on his voice alone. His rehearsal in a plain suit succeeds, but at the decisive moment he remembers Blue Dot and what the song means. In the final scene the two timelines converge: Blue Dot and Kuiper sit side by side applying makeup, putting on wigs and glittering costumes, and sing together in harmony.
ETERNITY(エタニティ)
2026
2026-07-10
to
2026-08-09
Production Type:
Licensed
Country:
Japan
City:
Multiple Cities
Language:
Japanese
Venue:
Multiple Venues
A Japanese non-replica production by the Musical ETERNITY Production Committee, with a new performing script and direction by Masahiko Kawahara, Japanese lyrics by Yukinojo Mori, and music direction by Asune, played by a six-piece live band. It opened at Tokyo Tatemono PIA Theater in Tokyo (July 10–26) and toured to Misonoza in Nagoya (July 31–August 1) and Tokyo Tatemono Brillia HALL Minoh in Osaka (August 8–9), presented locally by Misonoza and the Chunichi Shimbun, and by Kansai Television, Liberty Concerts, and Kyodo Factory. Teppei Koike and Ryosei Konishi alternated as Blue Dot, Ryunosuke Onoda and Asahi Ito as Kuiper, and former Takarazuka performer Rurika Miya played Murmur in gender-free casting.

Production Type Key — Letters grow with the scale of the production, from workshop to licensed production.
English Title Verification
Evidence for Official English Title
Eternity | Captured: 2026-10-26
https://nol.yanolja.com/ticket/products/25016942
Official English titles in this database are extracted only from primary sources. These include:
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materials released by the production company, credited creative team, or venue, including their official pages on social media, YouTube, and similar platforms;
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official English listings on ticketing sites;
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official industry events such as the K-Musical Market;
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interviews in which a creative team member clearly gives the English title.
English titles that appear only in translations by others, such as news articles, reviews, or fan materials, are not included as official titles. When no primary-source English title exists, the title is recorded as a literal translation and labeled on the left as either “Unofficial Third Party Usage Confirmed” or “No English Title Found,” depending on whether an English title has appeared in the media or elsewhere.
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