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Hongryeon

홍련

Official English Title

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SOURCE

folklore

SETTING

Korea

BOOK

adaptation

Based on the Korean folktales Janghwa Hongryeon and Baridegi

Korean Premiere

2024

Korean Premiere Theatre

Daehakro Jayu Theater, Seoul

Further Korean run reference:
https://namu.wiki/w/%ED%99%8D%EB%A0%A8(%EB%AE%A4%EC%A7%80%EC%BB%AC)
The Musical search cue — “홍련 뮤지컬”

Summary

Hongryeon faces judgment in the afterlife, where the intertwined tales of Janghwa and Baridegi expose gendered violence, silenced victims, and the possibility of justice.

Origin & Development

Developed through CJ Cultural Foundation's Stage Up (2022) and the 2023 K-Musical International Market reading showcase, the musical premiered in 2024 at Daehakro Jayu Theater, produced by Martin Entertainment. The work blends rock and Korean traditional music, staging the afterlife courtroom where the vengeful spirit Hongryeon meets the deity Bari.

At the 9th Korea Musical Awards, it won Best Production (under 400 seats) and received eight nominations including book, score, directing, and composition. 2024 – Premiere, Seoul (Daehakro Jayu Theater, Martin Entertainment), with 99% seat occupancy and an audience composed largely of women in their 20s and 30s.

Full Synopsis

Hongryeon is brought in red restraints before Cheondojeong, the court of the underworld. Princess Bari presides with the messengers Gangrim, Woljik, and Iljik, announcing that this is Hongryeon’s 139,998th and final trial.

The living claim that Hongryeon followed her twin sister Janghwa in death after Janghwa became pregnant and miscarried. Hongryeon rejects the story and instead confesses that she murdered their father, Bae Mu-ryong, and mutilated their half-brother Jangsoe because Janghwa had died unjustly.

Bari summons the father’s spirit, but his testimony reveals that he cares more about restoring his son’s body than recovering Hongryeon. When Hongryeon mocks Bari as the daughter once abandoned by King Ogu, Bari explains that she also desired revenge but ultimately chose to guide lost souls rather than remain bound to resentment.

As Bari reads Janghwa’s final letter, Hongryeon’s memories begin to return. Their stepmother, Lady Heo, abused the sisters. Janghwa repeatedly protected Hongryeon and became the principal target herself. Before Janghwa’s marriage, Jangsoe stole the norigae left by their mother. Janghwa was gravely injured in the struggle and left unattended until she died.

Hongryeon blames herself for failing to save her sister. Bari challenges her confession: a 16-year-old girl could not have committed the murder and mutilation she describes, and the timing of her story is impossible. As Hongryeon’s soul begins to fracture, Gangrim tells her that she is begging for guilt because she once begged in vain for love.

Bari completes Janghwa’s message: she knew how deeply Hongryeon loved her and loved her just as deeply. The truth finally returns. Hongryeon took her own life soon after Janghwa’s death; she never killed her father or harmed Jangsoe.

The thousands of trials were not attempts to condemn her but repeated efforts to restore her shattered memories. Bari performs a ssitgimgut cleansing ritual, helping Hongryeon forgive herself. Freed from her red restraints, Hongryeon thanks Bari and peacefully crosses the Samdocheon.

紅蓮

2025

2025-10-23

to

2025-11-09

Country:

China

City:

Shanghai

Production Type:

Licensed

Language:

Chinese

Venue:

Shanghai Gong Stage

A licensed replica of the Korean production, fully reproducing its script, score, staging, choreography, and design. Announced after a development workshop in Guangzhou, it was the musical's first international transfer, presenting it as a culturally rooted yet globally adaptable Korean original.

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© 2026 Musicals of Korea

All rights reserved. Unauthorized use is prohibited. Excerpts and links may be used with full credit and a clear link to the original content.

Last update: October 10, 2026

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