top of page
시집가는 날
Wedding Day (시집가는 날) is a Korean original musical adaptation of Oh Yeong-jin’s classic satire Maeng Jinsa’s Happy Occasion, developed by the National Music Troupe of Korea as one of its formative large-scale productions. Blending comic social satire, folk musical idioms, and romantic reversal, it became a major repertory work in Korean music theatre.
SOURCE
theatre
SETTING
Korea
BOOK
adaptation
국내 프로덕션
1974.11 🔴 National Theater Grand Theater (Seoul)
1977.10 🔴 National Theater Grand Theater (Seoul)
SYNOPSIS
(Full Synopsis)
Set in a traditional Korean village society shaped by status anxiety and arranged marriage customs, the musical unfolds around a wedding scheme whose deception exposes vanity, class pretension, and unexpected moral truth.
The pompous and status-obsessed Maeng Jinsa arranges for his daughter Gapbun to marry the son of a prestigious noble household without ever properly seeing the groom. When a rumor spreads that the groom Mieun is physically impaired, panic erupts. Unable to break the alliance yet desperate to protect his family’s honor, Maeng Jinsa plots to disguise the servant girl Ippuni as the bride while hiding his daughter away.
On the wedding day, the supposed disabled groom arrives revealed as a handsome and noble young man. Chaos follows, but before the deception can be undone, the marriage ceremony is completed. In the final reversal, Mieun reveals he knowingly chose the kind-hearted Ippuni over the vain aristocratic daughter, overturning social hypocrisy through love, wit, and moral clarity.
Combining satire, comic confusion, and folk theatrical energy, the musical transforms a classic modern Korean dramatic text into an enduring musical comedy.
제작 노트
Based on Oh Yeong-jin’s 1942 play Maeng Jinsa’s Happy Occasion, later adapted for multiple media including film, theatre, dance, and music theatre, this musical version occupies a distinct place within that broader performance genealogy.
The 1974 National Music Troupe production is treated here as the principal musical reference point, with later 1977 large-theatre revival included in Korean productions. The work is particularly notable for adapting a canonical modern Korean satire into a repertory-scale musical while retaining comic critique of class pretension.
Although later productions exist under related titles, including the 1992 National Theater Company musical The Wedding Day / Maeng Jinsa’s Happy Occasion, those are treated as separate works due to different production lineages and are not merged in this entry.
REFERENCES
Synopsis Sources
The Musical Production Entry
https://www.themusical.co.kr/Musical/Detail?num=337
Culture Portal Synopsis Archive
https://www.culture.go.kr/portal/cltKnw/artCont/view.do?menuNo=200022&knwldgSn=174
The Musical Poster / Program Book Feature
https://www.themusical.co.kr/Magazine/Detail?num=583
Articles & Reviews
JoongAng Ilbo Article
https://www.joongang.co.kr/article/1391044
Maeil Business Article
Culture Portal Performance Archive
https://www.culture.go.kr/portal/cltKnw/artCont/view.do?menuNo=200022&knwldgSn=174
The Musical Poster / Program Book Feature
https://www.themusical.co.kr/Magazine/Detail?num=583
National Theater Company Archive Note (related later adaptation)
bottom of page



