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봄봄
Spring, Spring (봄봄) is a Korean musical adaptation of Kim Yu-jeong’s short story, blending traditional Korean musical forms with jazz influences to depict rural life, labor, and social hierarchy through stylized song and performance.
SOURCE
literature
SETTING
Korea
BOOK
adaptation
국내 프로덕션
1984.04 Arko Arts Theater Grand Theater (Seoul)
1985.12 🔴 Sejong Center Grand Theater (Seoul)
SYNOPSIS
(Full Synopsis)
Set in a rural village during the harvest season, the musical unfolds in a traditional agrarian community, where a farmhand struggles against exploitation within a rigid social hierarchy.
In Act 1, the story centers on Giseok, a farmhand who has long worked under Bongpil with the expectation of marrying his daughter Jeomsoon. However, Bongpil continually delays the marriage, keeping Giseok trapped in a cycle of labor and false promises. Through communal songs and stylized performance rooted in Korean musical traditions, villagers reflect on labor, hierarchy, and survival. As Giseok becomes increasingly aware of his exploitation, rumors of opportunities beyond the village emerge, suggesting the possibility of earning money elsewhere. A symbolic public contest highlights his struggle for dignity, while his relationship with Jeomsoon remains constrained by social structures. By the end of the act, Giseok resolves to leave, choosing uncertain departure over continued submission.
In Act 2, the narrative unfolds within a ritualized communal setting where villagers gather, drink, and perform seasonal rites. Rumors of gold discovered elsewhere ignite collective desire, and an ambiguous outsider figure embodies fantasies of wealth and escape through song and spectacle. Giseok is drawn into this illusion, but as the atmosphere intensifies, the boundary between reality and fantasy collapses. A disruptive incident involving Jeomsoon exposes the fragility beneath the spectacle, and the promise of sudden fortune unravels. The gold narrative is revealed as a projection of communal desire rather than reality. In the aftermath, Giseok abandons the illusion of escape through wealth and returns to a grounded understanding of life. Confronting Bongpil, he reclaims agency within the existing social structure. The musical concludes with reintegration into the community, suggesting a tension-balanced reconciliation between desire and reality.
제작 노트
The musical Spring, Spring premiered in April 1984 at Munye Hall Grand Theater and was later staged at Sejong Center in December 1985 as an MBC 24th anniversary commemorative production. Adapted by playwright Oh Tae-suk from Kim Yu-jeong’s short stories Bom Bom and The Gold Bean Field, the work integrates traditional Korean musical elements such as pansori and folk songs with modern theatrical techniques, including jazz influences.
Distinctively, the production employed non-linear musical discourse, where characters step outside their roles through song to comment on the narrative, blending narration and performance. The staging incorporated additional elements not present in the original text, such as festive percussion groups, to enhance communal energy and theatricality.
It is important to distinguish this musical from Kim Yu-jeong Bom·Bom, a later gugak-based music theatre work (2012, Namsangol Hanok Village), also written by Oh Tae-suk. While both share source material, the 1984–1985 version is categorized as a musical, albeit one deeply rooted in traditional Korean music forms.
REFERENCES
Synopsis Sources
Bom Bom Script Blog
https://blog.naver.com/artesj/120125023262
Articles & Reviews
Sejong Center Performance Page
Kim Yu-jeong Bom Bom Study
https://oak.go.kr/central/journallist/journaldetail.do?article_seq=18714
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